RANGBAAZ WEB SERIES REVIEW TV
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RANGBAAZ WEB SERIES REVIEW HOW TO
Your encouragement and constant feedback on how to improve our offering have only made our resolve and commitment to these ideals stronger. (This story has not been edited by Business Standard staff and is auto-generated from a syndicated feed.)īusiness Standard has always strived hard to provide up-to-date information and commentary on developments that are of interest to you and have wider political and economic implications for the country and the world. It's like putting too many signposts on the road to perdition. I only wish the series didn't have to rely so heavily on the film songs of the era to recreate an authentic mood of the period. Sturdily crafted and persuasively told, "Rangbaaz" brings alive the nexus between politics and crime in the 1990s, a nexus that has only grown with time. While telling a story that never slackens in pace "Rangbaaz" also makes space to apprise us of the political scenario of the 1990s when job reservations created a prominent caste cleft in North India.
This performance is an opportunity of a new awakening for the actor, and he nails it. The engrossing series is carpeted with solid performances, none more so that Saqib Saleem who nails Shukla's journey from innocence to a gleeful almost sadistic pleasure in taking lives Saqib maps the darkening personality with a diligence that we never saw coming. The latter, incidentally puts in quite a credible performance as a cunning politician on the prowl looking for young vulnerable recruits to his dirty job. Depiction of exploitation of the weaker sections and the rise of the Criminal Hero has been a fairly routine formula in a certain kind of ground-level cinema patented by the likes of Anurag Kashyap and Tigmanshu Dhulia.
"Rangbaaz" has nothing new to say about the genesis of crime and criminals in the cow belt. Instead the narrative builds a credible camaraderie between the two men and a startling yet subtle game-plan for Shukla initiation into the world of crime. The interlude could have comfortably embraced sleaze. In one section of the judiciously-crafted narration where frills and fireworks are never appended on for no reason, the protagonist Shiv Prakash Shukla (Saqib Saleem) is whisked off to Bangkok with a politician's goon. And though the characters belong to the crass roots they don't pump up their aggression level with perverse dialogues. To depict the lowlife a filmmaker needn't stoop low. The abuses are kept at a surprisingly low level.
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